Commenter Archive

Comments by GftNC*

On “The South shall writhe again

Re: the Lost Cause myth. Along with that is the faux rebelliousness. I mean the guys with the confederate flag on their hat, pickup or window which they say doesn't stand for racism because it is an expression of independence, being opposed to excessive government etc. It's often a self-image thing; "I'm not a follower! I'm not conventional! I'm a free person doing things my way!" Around where I live it goes with long hair, a beard, and sometimes a meth addiction. It doesn't necessarily go with rightwing politics since some of those guys are too dysfunctional to be political. (And sometimes they are felons).

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Where's my fried green tomatoes?

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The question would seem to be: why is it Southern rural culture which is the model? Why not the Midwest? Or the Mountain West?

The South put enormous effort into creating the whole Lost Cause myth, and as part of that emphasized lots of cultural signals: the accent, the cuisine, the whole "southern hospitality" thing. Outside of some cities, the Midwest "accent" is all about not being able to tell where someone is from. The Mountain West is even more so. Southern fried chicken. BBQ. Grits. Greens. Black-eyed peas. All sorts of Cajun. Wash day beans. Buttermilk biscuits. Cornbread as a routine thing.

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I was thinking the other day about that weird time when all of a sudden a subset of the national culture was into CB radio, complete with radios, handles, etc. Making excuses to contact each other just so they could say, “Ten four, good buddy!”

I had a most serious crush on Kris Kristofferson, long before Convoy, (and put up with unacceptable behaviour from one of my tutors at law school - e.g. looking at my chest rather than my face while talking to me - because of his resemblance to KK) but I do wonder if that film also did something to make the whole scene attractive to women, and to men because it was attractive to women. Of course, it was presumably a big thing already for the movie to get made...

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I was thinking the other day about that weird time when all of a sudden a subset of the national culture was into CB radio, complete with radios, handles, etc. Making excuses to contact each other just so they could say, "Ten four, good buddy!" When I was in college and working in a restaurant, I had the experience of waitressing a get-together of wannabe Burt Reynolds guys and their wives (who went by handles like "Sugar Cookie"). They stiffed me on the tips, BTW.

And a few years later, the sudden sprouting of TX accents and line-dancing.

Both were inspired by movies that glorified an image of southern living.

Of course I, too, was a local manifestation of a media-driven subculture, so I'm not claiming any kind of immunity or superiority to herd instinct. I'd like to believe that my subculture had better values and retains those values even if the outward manifestations have faded.

But this is all an aside. Yes, it appears that the "Southern Strategy" has gone national, at least in rural areas.

BTW I live in a red rural area, complete with flag festooned pickup trucks and local wackos in city government, but over six hundred people turned up for our No Kings Day event and the majority of people who drove past were supportive with honks and waves.

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it seems natural that rural culture should be similarly homgeneous

The question would seem to be: why is it Southern rural culture which is the model? Why not the Midwest? Or the Mountain West? They all have significant rural populations, too.

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>And it’s very much rooted in a franchised version of a white Southern rural reality.

indeed.

and there is a similar franchised version of urban reality: every small city in the US eventually ends up with a version of things that started or were popularized in the very large cities (NYC especially, but also LA, ATL, etc). all of the hipster trends, food trends, drink trends, aesthetic trends, music, art, even ways of speaking and thinking get copied. go into any small- or medium-sized city in the US and you will find the same kinds of stores and styles, with people talking about similar things in similar ways.

it seems natural that rural culture should be similarly homgeneous.

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One piece of economics related to the Civil War, and being from Illinois Lincoln was very much aware of it, was shipping on the Mississippi and Ohio Rivers. By 1860, farmers from Ohio through the eastern parts of Iowa produced large amounts of excess grain. The bulk of the excess went down the Ohio and Mississippi Rivers to the ports around New Orleans, and by ship from there. Those farmers were very much afraid a separate Confederacy would impose large transit fees and ruin their business.

During the debates in Parliament on whether Britain should enter the American Civil War -- and on which side -- much was made of exactly how dependent Britain was on grain imported from those states, and that there were no alternate sources.

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Thanks nous!

On “What’s up, doxx?

They're saying almost 7 million at No Kings today.

that's a lot of people

On “The South shall writhe again

Gift link:

https://www.nytimes.com/2023/04/11/opinion/columnists/tennessee-house-nashville-shooting.html?unlocked_article_code=1.uk8.b5T9.3bVhxDrcFsH7&smid=url-share

On “The Return of the Boat Hook

Animism is also at the heart of circumpolar shamanism. As a Dark Green Religion, biocentric type, I lean that direction, at least as a narrative for living ethically in the world. It's the story I allow myself to live by whenever and wherever physics starts to slide towards metaphysics.

I think it's healthy to treat everything as a fellow creature wherever possible. It maximizes empathy and guards against hubris.

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At vrious points in my brilliant code monkey career I contemplated offering bribes to the machines, but I could never figure out what they would take as currency.

Threats usually resulted in some technological version of "Oh yeah, well watch *this*!".

On “What’s up, doxx?

russell: For folks heading out to No Kings tomorrow, stay safe and to whatever degree you can bring joy to it. I’m sorry to say I won’t be out there

No worries, russell -- I filled in for you. I even managed to wear a yellow shirt and cobble together a sign:

There were many, many signs, almost all hand-made. My favorite one was "STOP TRUTH DECAY". Lots of people, all ages from toddlers to geriatrics. Perfect weather here in Watertown, and a festive atmosphere. No unpleasantness of any sort, just 3-4 cops directing traffic through the tangled intersection that is Watertown Square. Some of the hardier souls headed into Boston for that rally, afterward.

--TP

On “The Return of the Boat Hook

For serious animism, one of my favorite memories is still Faith healing for computers:

Operations called Systems Programming because a (mainframe) disk drive was misbehaving. Walked in to the machine room and over to it. Laid my hands on top of the box.

Problem solved. Never did anything else to it. But Ops said that the problem had gone away.

Laying on of hands. Don't see how it could work on inanimate objects, so ...

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I've had MANY experiences of threatening computers/printers/projectors with impending demise, after which they stop messing about and behave.

At least for a while. One was just last week.

Now, perhaps it's just Loki doing his thing. But I think I'd know if that was happening. Maybe. So instead I chalk it up the "the inherent perversity of inanimate objects".

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Thank you JP for the article about Shinto. I have no religion but the closest thing that really resonates with me is petroglyphs. Why? Clearly animistic but there's no words. It seems to me that as soon as people start talking about spiritual matters, we take the wonder and awe out of it and substitute in stories that reflect humanness. I have the same attitude about Mass: much better in Latin so I can't understand what is being said.

f

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I believe Michael Cain has also been known to talk to (or taunt) computers….

More threaten than taunt. Most famously, in a hotel ballroom in midtown Manhattan at 2:00 in the morning. Did it work? All the demos worked for the new board of directors later the same day, in significant part because the computer I threatened did all of its jobs properly :^)

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I don't know about other professions, but I suspect everybody in IT spends some work time cursing when, inevitably, things don't go smoothly.

Whether they are talking to the software, or maybe the hardware. Or if they are appealing to a higher power for help. (Or maybe retribution on said recalcitrant software.). Hard to say. Possibly it varies from one individual to another.

On “The Return of the Boat Hook

I know they aren’t but that doesn’t stop me from saying “Excuse me” when I stub my toe on the coffee table, or shouting, “Not one chance, asshole!” at the computer cord that tries to trip me.

I believe Michael Cain has also been known to talk to (or taunt) computers....

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Thank you for posting! I hope we get some tales of the weird. That draft has some typos that I forgot to correct.

I've always treated objects as if they were animate--I mean some objects, not all of them. I know they aren't but that doesn't stop me from saying "Excuse me" when I stub my toe on the coffee table, or shouting, "Not one chance, asshole!" at the computer cord that tries to trip me. When I turned my old car in for the two hundred dollar trade in value, I actually cried. It was such a betrayal, felt like I was turning an old dog in to the shelter.

I'd like to know more about the Shinto concept. I have a strong feeling for certain landscapes which includes thinking of the landscape as holy but not in a Christian way. Holy more as in a place where spirits would reside if there were any.

On “Weekend music thread #02 Bad Bunny

Russell, if it is ok, I'd like to lift up your comment as next week's music thread?

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This first article on this page might be of interest for folks wanting more

Ai, rumba!! Allow me to digress.

Rumba in its various forms is / are kind of folkloric root and base of Cuban music. This right here is guaguanco, one of the three traditional rumba styles, and the one most commonly still performed, played here in pretty much it's traditional form.

https://www.youtube.com/watch?v=LOQvzI1A2P0

Another guaguanco, with the great Orlando "Puntilla" Rios, grand old man of the Cuban / New York rumbero community. The clave is easier to hear here, it's more even eighth notes, where the more traditional players tend to elide the difference between a duple and triple time feel. This is *rumba* clave, a little different to the "Bo Diddley" "shave and a haircut" clave - called *son* clave - shown in the reggaeton in two minutes clip.

This is one of my favorite videos in the world. When they break into the call-and-response thing at about 4:30 and the dancers get up the joy of it all is palpable.

https://www.youtube.com/watch?v=DnBN_AXfkvk

Salsa is more of a popular, dance club style, mostly based out of New York. Here is the great Ruben Blades performing "Pedro Navaja", which is basically the Spanish version of "Mack the Knife". This has son clave, which you can hear pretty clearly at the beginning of the tune.

https://www.youtube.com/watch?v=TqCC-zWQfdI

Clave is the key (literally) to a really broad range of musical styles and traditions of the Spanish-speaking African diaspora. It's one of many similar rhythmic patterns found in Africa, all of which turn out to be Euclidean rhythms, which I will not get into because we'll be here all night.

I pretty much love Latin music.

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