lj, you might be interested in this (free reg. required):
https://www.digitalconcerthall.com/en/film/108
The “Reichsorchester”
In 2007, the Berliner Philharmoniker celebrated their 125th anniversary. Film director Enrique Sánchez Lansch took this occasion to tell a hitherto unknown chapter in the history of the Berliner Philharmoniker: the years of National Socialism from 1933 to 1945.
Not the greatest doc ever, but very informative.
2025-12-27 07:45:18
Regarding the hierarchical culture, it's interesting that the Berlin Philharmonics, who choose their own conductors in a democratic vote, picked a series of nice guys (after Karajan):
Abbado, Rattle, Petrenko.
(Rattle's early relationship with the orchestra was described by himself as "turbulent" but watching them perform over the years, I felt that these were birthpangs. Also, he had a lot of unfair detractors in Germany.)
Interestingly, they also always picked the candidates that embodied a turning away from Karajan's heavy, 19th century 'German' style.
Abbado over Maazel and Barenboim
Rattle over Barenboim
Petrenko over Thielemann
2025-12-26 12:54:51
Thank you.
I think that Ravel in particular and French composers in general doesn’t get their due because they don’t write in the symphony format.
That's very true and I have been guilty of dismissing them as slightly gauche and inconsequential myself, being very German about it all, lol.
lj, you might be interested in this (free reg. required):
https://www.digitalconcerthall.com/en/film/108
The “Reichsorchester”
In 2007, the Berliner Philharmoniker celebrated their 125th anniversary. Film director Enrique Sánchez Lansch took this occasion to tell a hitherto unknown chapter in the history of the Berliner Philharmoniker: the years of National Socialism from 1933 to 1945.
Not the greatest doc ever, but very informative.
Regarding the hierarchical culture, it's interesting that the Berlin Philharmonics, who choose their own conductors in a democratic vote, picked a series of nice guys (after Karajan):
Abbado, Rattle, Petrenko.
(Rattle's early relationship with the orchestra was described by himself as "turbulent" but watching them perform over the years, I felt that these were birthpangs. Also, he had a lot of unfair detractors in Germany.)
Interestingly, they also always picked the candidates that embodied a turning away from Karajan's heavy, 19th century 'German' style.
Abbado over Maazel and Barenboim
Rattle over Barenboim
Petrenko over Thielemann
Thank you.
I think that Ravel in particular and French composers in general doesn’t get their due because they don’t write in the symphony format.
That's very true and I have been guilty of dismissing them as slightly gauche and inconsequential myself, being very German about it all, lol.