russell: For folks heading out to No Kings tomorrow, stay safe and to whatever degree you can bring joy to it. I’m sorry to say I won’t be out there
No worries, russell -- I filled in for you. I even managed to wear a yellow shirt and cobble together a sign:
There were many, many signs, almost all hand-made. My favorite one was "STOP TRUTH DECAY". Lots of people, all ages from toddlers to geriatrics. Perfect weather here in Watertown, and a festive atmosphere. No unpleasantness of any sort, just 3-4 cops directing traffic through the tangled intersection that is Watertown Square. Some of the hardier souls headed into Boston for that rally, afterward.
For serious animism, one of my favorite memories is still Faith healing for computers:
Operations called Systems Programming because a (mainframe) disk drive was misbehaving. Walked in to the machine room and over to it. Laid my hands on top of the box.
Problem solved. Never did anything else to it. But Ops said that the problem had gone away.
Laying on of hands. Don't see how it could work on inanimate objects, so ...
I've had MANY experiences of threatening computers/printers/projectors with impending demise, after which they stop messing about and behave.
At least for a while. One was just last week.
Now, perhaps it's just Loki doing his thing. But I think I'd know if that was happening. Maybe. So instead I chalk it up the "the inherent perversity of inanimate objects".
Thank you JP for the article about Shinto. I have no religion but the closest thing that really resonates with me is petroglyphs. Why? Clearly animistic but there's no words. It seems to me that as soon as people start talking about spiritual matters, we take the wonder and awe out of it and substitute in stories that reflect humanness. I have the same attitude about Mass: much better in Latin so I can't understand what is being said.
I believe Michael Cain has also been known to talk to (or taunt) computers….
More threaten than taunt. Most famously, in a hotel ballroom in midtown Manhattan at 2:00 in the morning. Did it work? All the demos worked for the new board of directors later the same day, in significant part because the computer I threatened did all of its jobs properly :^)
I don't know about other professions, but I suspect everybody in IT spends some work time cursing when, inevitably, things don't go smoothly.
Whether they are talking to the software, or maybe the hardware. Or if they are appealing to a higher power for help. (Or maybe retribution on said recalcitrant software.). Hard to say. Possibly it varies from one individual to another.
I know they aren’t but that doesn’t stop me from saying “Excuse me” when I stub my toe on the coffee table, or shouting, “Not one chance, asshole!” at the computer cord that tries to trip me.
I believe Michael Cain has also been known to talk to (or taunt) computers....
Thank you for posting! I hope we get some tales of the weird. That draft has some typos that I forgot to correct.
I've always treated objects as if they were animate--I mean some objects, not all of them. I know they aren't but that doesn't stop me from saying "Excuse me" when I stub my toe on the coffee table, or shouting, "Not one chance, asshole!" at the computer cord that tries to trip me. When I turned my old car in for the two hundred dollar trade in value, I actually cried. It was such a betrayal, felt like I was turning an old dog in to the shelter.
I'd like to know more about the Shinto concept. I have a strong feeling for certain landscapes which includes thinking of the landscape as holy but not in a Christian way. Holy more as in a place where spirits would reside if there were any.
This first article on this page might be of interest for folks wanting more
Ai, rumba!! Allow me to digress.
Rumba in its various forms is / are kind of folkloric root and base of Cuban music. This right here is guaguanco, one of the three traditional rumba styles, and the one most commonly still performed, played here in pretty much it's traditional form.
Another guaguanco, with the great Orlando "Puntilla" Rios, grand old man of the Cuban / New York rumbero community. The clave is easier to hear here, it's more even eighth notes, where the more traditional players tend to elide the difference between a duple and triple time feel. This is *rumba* clave, a little different to the "Bo Diddley" "shave and a haircut" clave - called *son* clave - shown in the reggaeton in two minutes clip.
This is one of my favorite videos in the world. When they break into the call-and-response thing at about 4:30 and the dancers get up the joy of it all is palpable.
https://www.youtube.com/watch?v=DnBN_AXfkvk
Salsa is more of a popular, dance club style, mostly based out of New York. Here is the great Ruben Blades performing "Pedro Navaja", which is basically the Spanish version of "Mack the Knife". This has son clave, which you can hear pretty clearly at the beginning of the tune.
https://www.youtube.com/watch?v=TqCC-zWQfdI
Clave is the key (literally) to a really broad range of musical styles and traditions of the Spanish-speaking African diaspora. It's one of many similar rhythmic patterns found in Africa, all of which turn out to be Euclidean rhythms, which I will not get into because we'll be here all night.
Thanks so much for the guestpost wonkie! I waited a bit to get it closer to Halloween. Other writing eagerly sought.
The idea that inanimate things have 'something' is one that I would like to believe, but feel a bit strange about. There is something vaguely comforting to me about a Shinto view of the world, where everything is imbued with something, but it always feels like a short distance from that to thinking that vaccines are trying to kill us.
Fun stuff everyone. Just to pull out a few things I miss salsa. At least that gives you both sides of the clave.
My playing experience has been classical and 'big band' jazz (by which I mean the size of the ensemble, rather than the swing bands that people think of) so my Latin experience is pretty minimal, but I did have a section in the post about the clave's evolution to reggaeton, but it is 1) hard to explain about rhythms and 2) I'd probably screw it up. This first article on this page might be of interest for folks wanting more https://www.cubanet.org/htdocs/CNews/y00/jun00/12e9.htm
Yonaguni, as a feminine coded island holding of Japan
I wasn't able to find any interviews with BB talking about the song and how it came about, so I imagine it was a mélange of reasons.
one could really capture an international audience and maintain a US presence all without ever having to make a single move to acknowledge the US mainstream.
I've recently been getting youtube videos titles [Indian journalist/Singaporean minister/Chinese author] destroys [Western journalist/politician/pundit]. and one of the lines that always seem to score points is the first person calmly pointing out that the West is about 15% of the world while Asia is about 60%.
This life brought to you by The Algorithm.
I wonder if there is a chicken-egg thing going on here. The trends mentioned by nous have been in popular music since the 50s, before the tech-bros had gotten their hands on the internet. I don't want to absolve them of their responsibility, but I don't want to give them too much credit for the idea, more of the shitty implementation.
I also think that these Weekend Music threads, because of my own interests, are going to lean into how so much music is blended and remixed. It's not new, classical music has a long tradition of taking folk melodies and rhythms and repackaging them, but I'm beginning to think that this is really foundational. So if that sounds boring, guest Musical weekend threads are solicited!
MAGAs do not want to share the world with anyone else. Not sharing is the point of the movement
They are in for a big disappointment, because the rest of the world isn't going away. And it's true, they're trying to make the US their own private homogenous playground, but there are too many other kinds of people here already. A lot of us were born here.
A lot of the brown Spanish speaking people were here before this country was.
I don't know what it's gonna take for these fuckers to get it through their heads that white skin and blue eyes just ain't that big of a deal.
There’s also, though, the antifa types who see themselves as mutual aid groups, who are there to offer medical support and protection to other groups they are in solidarity with.
I can affirm this.
A former minister of mine was at the Charlottesville "Unite the Right" calamity - she lived there at the time and was present as a peaceful protestor. Her own account of the day gives a lot of credit to antifa (by whatever label) for providing a buffer between the quite violent right wing folks and the folks there to protest peacefully.
In my own direct expeience, I've seen "antifa" folks present at demonstrations who were there to provide medical or trauma help if that was needed (thankfully it was not). Carrying a simple trauma first aid kit, and they were clearly marked with red crosses on their kit and on armbands.
My comment was really toward the folks who come deliberately to fight, specifically. I more or less understand the impulse - I think most of us feel anger at the stuff that goes on - but I'm not sure it accomplishes anything useful. It just gives the Andy Ngo and "Based Stick Man" types of the world something to look forward to.
I was standing in the grocery the other day when I heard Mick Jagger wailing, “You’re enough to make a dead man come!” And I thought, “In about ten years, that will be nursing home music.”
LOL.
I have expanded by learning new artists, but the sound is all in the country/rock/folk/blues range.
It sounds like our tastes are quite similar, wonkie, (even down to those same albums among others) although I admit I came to country pretty late, and still not to the same extent as the other categories. Folk was probably first, then rock, and of course the latter was heavily influenced by blues. I have never been able to get into rap, and this post is the first I've heard of reggaeton; I'm not crazy about it.
Similar to Mike's Math Tape, I wrote most of my dissertation while playing a mix of albums from A Beautiful Machine, which was all washed out, ambient, shoegaze-y sounding post-rock. It was noisy enough to drown out distractions, flowy enough to not get monotonous, and indistinct enough that the lyrics wouldn't interfere with whatever complex thought it was I was trying to work out in words.
https://abeautifulmachine.bandcamp.com/album/home
It was my most played music for three years and for 247 pages worth of obsession, stress, and isolation.
or for (as my students tell me) “vibing” to as they chill or do other things. Breaks in pattern and variations distract from the vibe and demand attention.
When I was in college I had what my housemates called "Mike's math tape". Everything on it was loud, 4/4 time, muddled lyrics. I dug it out and put on the headphones when I had to do math proofs or work through complicated bits of code. Reputedly, the housemate who had taken it upon himself to manage my social life once told a female friend of mine on the phone, "No, you can't talk to him. He's in there with the math tape on, covering page after page in that cramped little handwriting. You could parade through naked and he wouldn't notice."
russell - As an aside, this has always been one of my issues with antifa and similar. The folks they want to fight would like nothing better than an opportunity to get into it with them. It’s kind of what they live for.
I think it's important to see this in context. There's more than one sort of antifa group and more than one way in which they get involved in violence. (There's also non-violent antifa groups, but no one really talks about them in these discussions.) The ones that most get talked about in the media, social and otherwise, are the black bloc types who are the (much less prevalent) equivalent of the right wing action clubs. They are looking for action and want to provoke, and are ready and willing to engage in violence if that seems to be the order of the day.
There's also, though, the antifa types who see themselves as mutual aid groups, who are there to offer medical support and protection to other groups they are in solidarity with. They are not wanting to provoke, and they are willing and ready to go into a violent situation and respond with as much force as necessary to protect the people who have been caught in the violence being brought against them by the aforementioned action clubs and counter protesters, and occasionally from law enforcement when situations start to escalate. They are functioning as shields between the oppositional violence and the peaceful, marginalized folks who are there to protest that use of organized force.
It's really hard to tell the difference between these two groups in typical edited video that has been cut down to the spectacle and stripped of the context. And jerkfaces like Andy Ngo make a living off of providing a stream of videos that work to paint all such encounters as being the first type, when a lot of what is being shown are people of the second type working to defend against the violence brought to them by the action club Ngo is working with.
In the absence of the second type, though, a lot of marginalized people would be on the receiving end of the violence with no one there to aid them, and no guarantee of police protection, since the police are busy protecting property.
MAGAs do not want to share the world with anyone else. Not sharing is the point of the movement
Nous mentioned the soundtrack by which his students live. I have the impression that people form their musical tastes early and tend to stick fairly closely for the rest of their lives.
That's my experience. I have expanded by learning new artists, but the sound is all in the country/rock/folk/blues range.
It seems bizarre now but when I was in high school, parties consisted of groups of young people in someone's apartment near campus, stoned and silent while listening intently to music. That's how I heard Abraxis, Abbey Road, American Beauty, Volunteers.
The idea of getting together at someone's home to listen to records seems utterly incongruent now.
Times change.
I was standing in the grocery the other day when I heard Mick Jagger wailing, "You're enough to make a dead man come!" And I thought, "In about ten years, that will be nursing home music."
Hey, that's actually a really good breakdown of reggaeton. Clear and succint and accurate.
I am completely ignorant of Bad Bunny's work because (a) rap leaves me behind because I have a hearing impairment that makes it basically impossible for me to make out lyrics in recorded music, and (b) reggaeton drives me nuts - it's not just that it's repetitive, the repeating cell is so small that there is no (to my ear) breathing room.
Plus I live near a couple of large Latin communities and the way I hear reggaeton is typically being cranked from some guy's car at a volume level that makes the doors of my car vibrate from the massive bass. I want to take those guys aside and say "You're gonna be stone deaf by the time you're 40" but I'm more than sure they wouldn't care. They're having fun now, 40 is a long way off.
I miss salsa. At least that gives you both sides of the clave.
All of that said, BB seems like a very interest artist and social and cultural persona. I'm not a sports guy and will likely not watch the Super Bowl, but I'm both amused and delighted that he was the NFL's pick for the half time show.
In my wildest dreams I would never have predicted the NFL as a socially forward-looking organization. I suspect they know who their viewing audience is.
MAGAs just gonna have to learn to share the world with everybody else.
John Lennon's words are, I think, appropriate in the current situation.
When it gets down to having to use violence, then you are playing the system’s game. The establishment will irritate you – pull your beard, flick your face – to make you fight. Because once they’ve got you violent, then they know how to handle you. The only thing they don’t know how to handle is non-violence and humor
There are situations when there are no other options, but I don't think we are anywhere close to that now.
As an aside, this has always been one of my issues with antifa and similar. The folks they want to fight would like nothing better than an opportunity to get into it with them. It's kind of what they live for.
Why give them what they want?
For folks heading out to No Kings tomorrow, stay safe and to whatever degree you can bring joy to it. I'm sorry to say I won't be out there, I have another commitment for the weekend of long standing.
But all of that aside, as a purely strategic matter, it’s a really bad idea to give Trump any reason to send the army into your city or town.
I think this is exactly right. This is a battle which must be fought with brains, with serious strategy, not (very understandable) kneejerk, impulsive emotion. And, as an aside, that's also one of my justifications for acting with (my definition of) civility.
The repetitiveness of reggaeton is a feature, rather than a bug, for most fans of the genre. It's meant for dancing to in a hot, sweaty club, or blasting in the car, or for (as my students tell me) "vibing" to as they chill or do other things. Breaks in pattern and variations distract from the vibe and demand attention.
A lot of modern popular music is meant to be a background soundtrack for the listeners' noisy lives. It takes a couple weeks for my students to learn how to actively listen and to match speeds with music that is trying to be more than just a simple expression of a single thought or feeling, strung together in a playlist full of similar songs.
This life brought to you by The Algorithm.
*Comment archive for non-registered commenters assembled by email address as provided.
On “What’s up, doxx?”
russell: For folks heading out to No Kings tomorrow, stay safe and to whatever degree you can bring joy to it. I’m sorry to say I won’t be out there
No worries, russell -- I filled in for you. I even managed to wear a yellow shirt and cobble together a sign:
There were many, many signs, almost all hand-made. My favorite one was "STOP TRUTH DECAY". Lots of people, all ages from toddlers to geriatrics. Perfect weather here in Watertown, and a festive atmosphere. No unpleasantness of any sort, just 3-4 cops directing traffic through the tangled intersection that is Watertown Square. Some of the hardier souls headed into Boston for that rally, afterward.
--TP
On “The Return of the Boat Hook”
For serious animism, one of my favorite memories is still Faith healing for computers:
Operations called Systems Programming because a (mainframe) disk drive was misbehaving. Walked in to the machine room and over to it. Laid my hands on top of the box.
Problem solved. Never did anything else to it. But Ops said that the problem had gone away.
Laying on of hands. Don't see how it could work on inanimate objects, so ...
"
I've had MANY experiences of threatening computers/printers/projectors with impending demise, after which they stop messing about and behave.
At least for a while. One was just last week.
Now, perhaps it's just Loki doing his thing. But I think I'd know if that was happening. Maybe. So instead I chalk it up the "the inherent perversity of inanimate objects".
"
Thank you JP for the article about Shinto. I have no religion but the closest thing that really resonates with me is petroglyphs. Why? Clearly animistic but there's no words. It seems to me that as soon as people start talking about spiritual matters, we take the wonder and awe out of it and substitute in stories that reflect humanness. I have the same attitude about Mass: much better in Latin so I can't understand what is being said.
f
"
I believe Michael Cain has also been known to talk to (or taunt) computers….
More threaten than taunt. Most famously, in a hotel ballroom in midtown Manhattan at 2:00 in the morning. Did it work? All the demos worked for the new board of directors later the same day, in significant part because the computer I threatened did all of its jobs properly :^)
"
wonkie, check this out
https://aeon.co/essays/shinto-shows-the-debt-to-animism-of-organised-religions-today
"
I don't know about other professions, but I suspect everybody in IT spends some work time cursing when, inevitably, things don't go smoothly.
Whether they are talking to the software, or maybe the hardware. Or if they are appealing to a higher power for help. (Or maybe retribution on said recalcitrant software.). Hard to say. Possibly it varies from one individual to another.
On “Weekend music thread #02 Bad Bunny”
Absolutely
On “The Return of the Boat Hook”
I know they aren’t but that doesn’t stop me from saying “Excuse me” when I stub my toe on the coffee table, or shouting, “Not one chance, asshole!” at the computer cord that tries to trip me.
I believe Michael Cain has also been known to talk to (or taunt) computers....
"
Thank you for posting! I hope we get some tales of the weird. That draft has some typos that I forgot to correct.
I've always treated objects as if they were animate--I mean some objects, not all of them. I know they aren't but that doesn't stop me from saying "Excuse me" when I stub my toe on the coffee table, or shouting, "Not one chance, asshole!" at the computer cord that tries to trip me. When I turned my old car in for the two hundred dollar trade in value, I actually cried. It was such a betrayal, felt like I was turning an old dog in to the shelter.
I'd like to know more about the Shinto concept. I have a strong feeling for certain landscapes which includes thinking of the landscape as holy but not in a Christian way. Holy more as in a place where spirits would reside if there were any.
On “Weekend music thread #02 Bad Bunny”
Russell, if it is ok, I'd like to lift up your comment as next week's music thread?
"
This first article on this page might be of interest for folks wanting more
Ai, rumba!! Allow me to digress.
Rumba in its various forms is / are kind of folkloric root and base of Cuban music. This right here is guaguanco, one of the three traditional rumba styles, and the one most commonly still performed, played here in pretty much it's traditional form.
https://www.youtube.com/watch?v=LOQvzI1A2P0
Another guaguanco, with the great Orlando "Puntilla" Rios, grand old man of the Cuban / New York rumbero community. The clave is easier to hear here, it's more even eighth notes, where the more traditional players tend to elide the difference between a duple and triple time feel. This is *rumba* clave, a little different to the "Bo Diddley" "shave and a haircut" clave - called *son* clave - shown in the reggaeton in two minutes clip.
This is one of my favorite videos in the world. When they break into the call-and-response thing at about 4:30 and the dancers get up the joy of it all is palpable.
https://www.youtube.com/watch?v=DnBN_AXfkvk
Salsa is more of a popular, dance club style, mostly based out of New York. Here is the great Ruben Blades performing "Pedro Navaja", which is basically the Spanish version of "Mack the Knife". This has son clave, which you can hear pretty clearly at the beginning of the tune.
https://www.youtube.com/watch?v=TqCC-zWQfdI
Clave is the key (literally) to a really broad range of musical styles and traditions of the Spanish-speaking African diaspora. It's one of many similar rhythmic patterns found in Africa, all of which turn out to be Euclidean rhythms, which I will not get into because we'll be here all night.
I pretty much love Latin music.
On “The Return of the Boat Hook”
Thanks so much for the guestpost wonkie! I waited a bit to get it closer to Halloween. Other writing eagerly sought.
The idea that inanimate things have 'something' is one that I would like to believe, but feel a bit strange about. There is something vaguely comforting to me about a Shinto view of the world, where everything is imbued with something, but it always feels like a short distance from that to thinking that vaccines are trying to kill us.
On “Weekend music thread #02 Bad Bunny”
Fun stuff everyone. Just to pull out a few things
I miss salsa. At least that gives you both sides of the clave.
My playing experience has been classical and 'big band' jazz (by which I mean the size of the ensemble, rather than the swing bands that people think of) so my Latin experience is pretty minimal, but I did have a section in the post about the clave's evolution to reggaeton, but it is 1) hard to explain about rhythms and 2) I'd probably screw it up. This first article on this page might be of interest for folks wanting more
https://www.cubanet.org/htdocs/CNews/y00/jun00/12e9.htm
Yonaguni, as a feminine coded island holding of Japan
I wasn't able to find any interviews with BB talking about the song and how it came about, so I imagine it was a mélange of reasons.
one could really capture an international audience and maintain a US presence all without ever having to make a single move to acknowledge the US mainstream.
I've recently been getting youtube videos titles [Indian journalist/Singaporean minister/Chinese author] destroys [Western journalist/politician/pundit]. and one of the lines that always seem to score points is the first person calmly pointing out that the West is about 15% of the world while Asia is about 60%.
This life brought to you by The Algorithm.
I wonder if there is a chicken-egg thing going on here. The trends mentioned by nous have been in popular music since the 50s, before the tech-bros had gotten their hands on the internet. I don't want to absolve them of their responsibility, but I don't want to give them too much credit for the idea, more of the shitty implementation.
I also think that these Weekend Music threads, because of my own interests, are going to lean into how so much music is blended and remixed. It's not new, classical music has a long tradition of taking folk melodies and rhythms and repackaging them, but I'm beginning to think that this is really foundational. So if that sounds boring, guest Musical weekend threads are solicited!
"
MAGAs do not want to share the world with anyone else. Not sharing is the point of the movement
They are in for a big disappointment, because the rest of the world isn't going away. And it's true, they're trying to make the US their own private homogenous playground, but there are too many other kinds of people here already. A lot of us were born here.
A lot of the brown Spanish speaking people were here before this country was.
I don't know what it's gonna take for these fuckers to get it through their heads that white skin and blue eyes just ain't that big of a deal.
On “What’s up, doxx?”
There’s also, though, the antifa types who see themselves as mutual aid groups, who are there to offer medical support and protection to other groups they are in solidarity with.
I can affirm this.
A former minister of mine was at the Charlottesville "Unite the Right" calamity - she lived there at the time and was present as a peaceful protestor. Her own account of the day gives a lot of credit to antifa (by whatever label) for providing a buffer between the quite violent right wing folks and the folks there to protest peacefully.
In my own direct expeience, I've seen "antifa" folks present at demonstrations who were there to provide medical or trauma help if that was needed (thankfully it was not). Carrying a simple trauma first aid kit, and they were clearly marked with red crosses on their kit and on armbands.
My comment was really toward the folks who come deliberately to fight, specifically. I more or less understand the impulse - I think most of us feel anger at the stuff that goes on - but I'm not sure it accomplishes anything useful. It just gives the Andy Ngo and "Based Stick Man" types of the world something to look forward to.
On “Weekend music thread #02 Bad Bunny”
I was standing in the grocery the other day when I heard Mick Jagger wailing, “You’re enough to make a dead man come!” And I thought, “In about ten years, that will be nursing home music.”
LOL.
I have expanded by learning new artists, but the sound is all in the country/rock/folk/blues range.
It sounds like our tastes are quite similar, wonkie, (even down to those same albums among others) although I admit I came to country pretty late, and still not to the same extent as the other categories. Folk was probably first, then rock, and of course the latter was heavily influenced by blues. I have never been able to get into rap, and this post is the first I've heard of reggaeton; I'm not crazy about it.
"
Similar to Mike's Math Tape, I wrote most of my dissertation while playing a mix of albums from A Beautiful Machine, which was all washed out, ambient, shoegaze-y sounding post-rock. It was noisy enough to drown out distractions, flowy enough to not get monotonous, and indistinct enough that the lyrics wouldn't interfere with whatever complex thought it was I was trying to work out in words.
https://abeautifulmachine.bandcamp.com/album/home
It was my most played music for three years and for 247 pages worth of obsession, stress, and isolation.
"
or for (as my students tell me) “vibing” to as they chill or do other things. Breaks in pattern and variations distract from the vibe and demand attention.
When I was in college I had what my housemates called "Mike's math tape". Everything on it was loud, 4/4 time, muddled lyrics. I dug it out and put on the headphones when I had to do math proofs or work through complicated bits of code. Reputedly, the housemate who had taken it upon himself to manage my social life once told a female friend of mine on the phone, "No, you can't talk to him. He's in there with the math tape on, covering page after page in that cramped little handwriting. You could parade through naked and he wouldn't notice."
On “What’s up, doxx?”
russell - As an aside, this has always been one of my issues with antifa and similar. The folks they want to fight would like nothing better than an opportunity to get into it with them. It’s kind of what they live for.
I think it's important to see this in context. There's more than one sort of antifa group and more than one way in which they get involved in violence. (There's also non-violent antifa groups, but no one really talks about them in these discussions.) The ones that most get talked about in the media, social and otherwise, are the black bloc types who are the (much less prevalent) equivalent of the right wing action clubs. They are looking for action and want to provoke, and are ready and willing to engage in violence if that seems to be the order of the day.
There's also, though, the antifa types who see themselves as mutual aid groups, who are there to offer medical support and protection to other groups they are in solidarity with. They are not wanting to provoke, and they are willing and ready to go into a violent situation and respond with as much force as necessary to protect the people who have been caught in the violence being brought against them by the aforementioned action clubs and counter protesters, and occasionally from law enforcement when situations start to escalate. They are functioning as shields between the oppositional violence and the peaceful, marginalized folks who are there to protest that use of organized force.
It's really hard to tell the difference between these two groups in typical edited video that has been cut down to the spectacle and stripped of the context. And jerkfaces like Andy Ngo make a living off of providing a stream of videos that work to paint all such encounters as being the first type, when a lot of what is being shown are people of the second type working to defend against the violence brought to them by the action club Ngo is working with.
In the absence of the second type, though, a lot of marginalized people would be on the receiving end of the violence with no one there to aid them, and no guarantee of police protection, since the police are busy protecting property.
On “Weekend music thread #02 Bad Bunny”
MAGAs do not want to share the world with anyone else. Not sharing is the point of the movement
Nous mentioned the soundtrack by which his students live. I have the impression that people form their musical tastes early and tend to stick fairly closely for the rest of their lives.
That's my experience. I have expanded by learning new artists, but the sound is all in the country/rock/folk/blues range.
It seems bizarre now but when I was in high school, parties consisted of groups of young people in someone's apartment near campus, stoned and silent while listening intently to music. That's how I heard Abraxis, Abbey Road, American Beauty, Volunteers.
The idea of getting together at someone's home to listen to records seems utterly incongruent now.
Times change.
I was standing in the grocery the other day when I heard Mick Jagger wailing, "You're enough to make a dead man come!" And I thought, "In about ten years, that will be nursing home music."
"
Hey, that's actually a really good breakdown of reggaeton. Clear and succint and accurate.
I am completely ignorant of Bad Bunny's work because (a) rap leaves me behind because I have a hearing impairment that makes it basically impossible for me to make out lyrics in recorded music, and (b) reggaeton drives me nuts - it's not just that it's repetitive, the repeating cell is so small that there is no (to my ear) breathing room.
Plus I live near a couple of large Latin communities and the way I hear reggaeton is typically being cranked from some guy's car at a volume level that makes the doors of my car vibrate from the massive bass. I want to take those guys aside and say "You're gonna be stone deaf by the time you're 40" but I'm more than sure they wouldn't care. They're having fun now, 40 is a long way off.
I miss salsa. At least that gives you both sides of the clave.
All of that said, BB seems like a very interest artist and social and cultural persona. I'm not a sports guy and will likely not watch the Super Bowl, but I'm both amused and delighted that he was the NFL's pick for the half time show.
In my wildest dreams I would never have predicted the NFL as a socially forward-looking organization. I suspect they know who their viewing audience is.
MAGAs just gonna have to learn to share the world with everybody else.
On “What’s up, doxx?”
John Lennon's words are, I think, appropriate in the current situation.
There are situations when there are no other options, but I don't think we are anywhere close to that now.
As an aside, this has always been one of my issues with antifa and similar. The folks they want to fight would like nothing better than an opportunity to get into it with them. It's kind of what they live for.
Why give them what they want?
For folks heading out to No Kings tomorrow, stay safe and to whatever degree you can bring joy to it. I'm sorry to say I won't be out there, I have another commitment for the weekend of long standing.
I'll be there for the next one.
"
But all of that aside, as a purely strategic matter, it’s a really bad idea to give Trump any reason to send the army into your city or town.
I think this is exactly right. This is a battle which must be fought with brains, with serious strategy, not (very understandable) kneejerk, impulsive emotion. And, as an aside, that's also one of my justifications for acting with (my definition of) civility.
On “Weekend music thread #02 Bad Bunny”
The repetitiveness of reggaeton is a feature, rather than a bug, for most fans of the genre. It's meant for dancing to in a hot, sweaty club, or blasting in the car, or for (as my students tell me) "vibing" to as they chill or do other things. Breaks in pattern and variations distract from the vibe and demand attention.
A lot of modern popular music is meant to be a background soundtrack for the listeners' noisy lives. It takes a couple weeks for my students to learn how to actively listen and to match speeds with music that is trying to be more than just a simple expression of a single thought or feeling, strung together in a playlist full of similar songs.
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